- OpenAI has always had some of the strongest prompt understanding alongside the weakest image fidelity. This update goes some way towards addressing this weakness.
- It's leagues better at making localized edits without altering the entire image's aesthetic than gpt-image-1, doubling the previous score from 4/12 to 8/12 and the only model that legitimately passed the Giraffe prompt.
- It's one of the most steerable models with a 90% compliance rate
Updates to GenAI Showdown
- Added outtakes sections to each model's detailed report in the Text-to-Image category, showcasing notable failures and unexpected behaviors.
- New models have been added including REVE and Flux.2 Dev (a new locally hostable model).
- Finally got around to implementing a weighted scoring mechanism which considers pass/fail, quality, and compliance for a more holistic model evaluation (click pass/fail icon to toggle between scoring methods).
If you just want to compare gpt-image-1, gpt-image-1.5, and NB Pro at the same time:
Ludicrously unnecessary nitpick for "Remove all the brown pieces of candy from the glass bowl":
> Gemini 2.5 Flash - 18 attempts - No matter what we tried, Gemini 2.5 Flash always seemed to just generate an entirely new assortment of candies rather than just removing the brown ones.
The way I read the prompt, it demands that the candies should change arrangement. You didn't say "change the brown candies to a different color", you said "remove them". You can infer from the few brown ones that you can see that there are even more underneath - surely if you removed them all (even just by magically disappearing them) then the others would tumble down into a new location? The level of the candies is lower than before you started, which is what you'd expect if you remove some. Maybe it's just coincidence, but maybe this really was its reasoning. (It did unnecessarily remove the red candy from the hand though.)
I don't think any of the "passes" did as well as this, including Gemini 3.0 Pro Image. Qwen-Image-Edit did at least literally remove one of the three visible brown candies, but just recolored the other two.
This showdown benchmark was and still is great, but an enormous grain of salt should be added to any model that was released after the showdown benchmark itself.
Maybe everyone has a different dose of skepticism. Personally I'm not even looking at results for models that were released after the benchmark, for all this tells us, they might as well be one-trick ponies that only do well in the benchmark.
It might be too much work, but one possible "correct" approach for this kind of benchmark would to periodically release new benchmarks with new tests (that are broadly in the same categories) and only include models that predate each benchmark.
"Remove all the trash from the street and sidewalk. Replace the sleeping person on the ground with a green street bench. Change the parking meter into a planted tree."
Z-image was released recently and that's what /r/StableDiffusion all talks about these days. Consider adding that too. It is very good quality for its size (Requires only 6 or 8 gigs of ram).
Personal request: could you also advocate for "image previz rendering", which I feel is an extremely compelling use case for these companies to develop. Basically any 2d/3d compositor that allows you to visually block out a scene, then rely on the model to precisely position the set, set pieces, and character poses.
If we got this task onto benchmarks, the companies would absolutely start training their models to perform well at it.
Here are some examples:
gpt-image-1 absolutely excels at this, though you don't have much control over the style and aesthetic:
I disagree with gpt-image-1.5's grade on the worm sign. It moved some of the marks around to accommodate the enlarged black area, but retained the overall appearance of the sign.
GPT Image 1.5 is the first model that gets close to replicating the intricate detail mosaic of bullets in the "Lord of War" movie poster for me. Following the prompt instructions more closely also seems better compared to Nano Banana Pro.
I edited the original "Lord of War" poster with a reference image of Jensen and replaced bullets with GPU dies, silicon wafers and electronic components.
One other test you could add is generating a chessboard from a FEN. I was surprised to see NBP able to do that (however, it seems to only work with fewer pieces, after a certain amount it makes mistakes or even generates a completely wrong image) https://files.catbox.moe/uudsyt.png
Love this benchmark, always the first place I look. Also seems like it is time to move the goalposts, not sure we are getting enough resolution between models anymore.
Out of curiosity why does gemini get gold for the poker example but gpt-image 1.5 does not? I couldn't see a difference between the two.
Nano Banana has still the best VAE we have seen especially if you are doing high res production work. The flux2 comes close but gpt image is still miles away.
I have a Nano Banana Pro blog post in the works expanding on my experiments with Nano Banana (https://news.ycombinator.com/item?id=45917875). Running a few of my test cases from that post and the upcoming blog post through this new ChatGPT Image model, this new model is better than Nano Banana but MUCH worse than Nano Banana Pro which now nails the test cases that previously showed issues. The pricing is unclear but gpt-image-1.5 appears to be 20% cheaper than the current gpt-image-1 model, which would put a `high`-quality generation in the same price range as Nano Banana Pro.
One curious case demoed here in the docs is the grid use case. Nano Banana Pro can also generate grids, but for NBP grid adherence to the prompt collapses after going higher than 4x4 (there's only a finite amount of output tokens to correspond to each subimage), so I'm curious that OpenAI started with a 6x6 case albeit the test prompt is not that nuanced.
I'll be running gpt-image-1.5 through my GenAI Showdown later today, but in the meantime if you want to see some legitimately impressive NB Pro outputs, check out:
In particular, NB Pro successfully assembled a jigsaw puzzle it had never seen before, generated semi-accurate 3D topographical extrapolations, and even swapped a window out for a mirror.
I just tested GPT1.5. I would say the image quality is on par with NBP in my tests (which is surprising as the images in their trailer video are bad), but the prompt adherence is way worse, and its "world model" if you want to call it that is worse. For instance, I asked it for two people in a row boat and it had two people, but the boat was more like a coracle and they would barely fit inside it.
Also: SUPER ANNOYING. It seems every time you give it a modification prompt it erases the whole conversation leading up to the new pic? Like.. all the old edits vanish??
I added "shaky amateur badly composed crappy smartphone photo of ____" to the start of my prompts to make them look more natural.
I've been a filmmaker for 10+ years. I really want more visual tools that let you precisely lay out consistent scenes without prompting. This is important for crafting the keyframes in an image-to-video style workflow, and is especially important for long form narrative content.
One thing that gpt-image-1 does exceptionally well that Nano Banana (Pro) can't is previz-to-render. This is actually an incredibly useful capability.
The Nano Banana models take the low-fidelity previz elements/stand-ins and unfortunately keep the elements in place without attempting to "upscale" them. The model tries to preserve every mistake and detail verbatim.
Gpt-image-1, on the other hand, understands the layout and blocking of the scene, the pose of human characters, and will literally repair and upscale everything.
We need models that can do what gpt-image-1 does above, but that have higher quality, better stylistic control, faster speed, and that can take style references (eg. glossy Midjourney images).
Nano Banana team: please grow these capabilities.
Adobe is testing and building some really cool capabilities:
I'm trying to build the exact same things that they are, except as open source / source available local desktop tools that we can own. Gives me an outlet to write Rust, too.
If this was a farm of sweatshop Photoshopers in 2010, who download all images from the internet and provide a service of combining them on your request, this would escalate pretty quickly.
Question: with copyright and authorship dead wrt AI, how do I make (at least) new content protected?
Anecdotal: I had a hobby of doing photos in quite rare style and lived in a place where you'd get quite a few pictures of. When I asked gpt to generate a picture of that are in that style, it returned highly modified, but recognizable copy of a photo I've published years ago.
Air gap. If you don’t want content to be used without your permission, it never leaves your computer. This is the only protection that works.
If you want others to see your content, however, you have to accept some degree of trade off with it being misappropriated. Blatant cases can be addressed the same as they always were, but a model overfitting to your original work poses an interesting question for which I’m not aware of any legal precedents having been set yet.
Big IP holders will go nuclear on IP licensing to an extent we've never seen before.
Right now, there are thousands of images and videos of Star Wars, Pokemon, Superman, Sonic, etc. being posted across social media. All it takes is for the biggest IP conglomerates to turn into linear tv and sports networks of the past and treat social media like cable.
Disney: "Gee {Google,Meta,Reddit,TikTok}, we see you have a lot of Star Wars and Marvel content. We think that's a violation of our rights. If you want your users to continue to be able to post our media, you need to pay us $5B/yr."
I would not be surprised if this happens now that every user on the internet can soon create high-fidelity content.
This could be a new $20-30B/yr business for Disney. Nintendo, WBD, and lots of other giant IP holders could easily follow suit.
The next step is to take this beyond AI generations and to license rights to characters and IP on social media directly.
The next salvo will be where YouTube has to take down all major IP-related content if they don't pay a licensing fee. Regardless of how it was created. Movie reviews, fan animations, video game let's plays.
I've got a strong feeling that day is coming soon.
That seems unlikely to me. One side is made up of lots and lots of entrenched interests with sympathetic figures like authors and artists on their side, and the other is “big tech,” dominated by the rather unsympathetic OpenAI and Google.
Using references is a standard industry practice for digital art and VFX. The main difference is that you are unable to accidentally copy a reference too close, while with AI it’s possible.
I guess some kind of hard (repetitive) steganography where the private key signature of the original photo is somehow encoded lots of times; also watermarking everything and asking the reader for some kind of verification if they want their non-watermarked copy.
There seems to be no other way (apart from air-gapping everything, as others say).
my question to your anecdotal: who cares? not being fecicious, but who cares if someone reproduced your stuff and millions of people see your stuff? is the money that you want? is it the fame? because fame you will get, maybe not money... but couldn't there be another way?
People have values that go beyond wealth and fame. Some people care about things like personal agency, respect and deference, etc.
If someone were on vacation and came home to learn that their neighbor had allowed some friends stay in the empty house, we would often expect some kind of outrage regardless of whether there had been specific damage or wear to the home.
Culturally, people have deeply set ideas about what's theirs, and feel like they deserve some say over how their things are used and by whom. Even those that are very generous and want their things be widely shared usually want to have have some voice in making that come to be.
If I were a creative I would avoid seeing any work I am not legally allowed to get inspired by, why install furniture into my brain I can't sit on? I see this kind of IP protection as poisoned grounds, can't do anything on top of it.
To clarify my question - I do not want anything I create to be fed into their training data. That photo is just an example that I caught and it became personal. But in general I don't want anymore to open source my code, write articles and put any effort into improving training data set.
As a professional cinematographer/photographer I am incredibly uncomfortable with people using my art without my permission for unknown ends. Doubly so when it’s venture backed private companies stealing from millions of people like me as they make vague promises about the capabilities of their software trained on my work. It doesn’t take much to understand why that makes me uncomfortable and why I feel I am entitled to saying “no.” Legally I am entitled to that in so many cases, yet for some reason Altman et al get to skip that hurdle. Why?
How do you feel about entities taking your face off of your personal website and plastering it on billboards smiling happily next to their product? What if it’s for a gun? Or condoms? Or a candidate for a party you don’t support? Pick your own example if none of those bother you. I’m sure there are things you do not want to be associated with/don’t want to contribute to.
At the end of the day it’s very gross when we are exploited without our knowledge or permission so rich groups can get richer. I don’t care if my visual work is only partially contributing to some mashed up final image. I don’t want to be a part of it.
The day after I first heard about the Internet, back in 1990-whatever, it occurred to me that I probably shouldn't upload anything to the Internet that I didn't want to see on the front page of tomorrow's newspaper.
Apart from the 'newspaper' anachronism, that's pretty much still my take.
Sorry, but you'll just have to deal with it and get over it.
I get access to inspiration from everybody's art, and so do you. Seems like a good deal to me.
Meanwhile, the next generation of great artists is already at work down the street from you. Some kids you've never heard of, playing around in a basement or garage you've probably driven past a hundred times. They're learning to make the most of the tools at hand, just like the old masters did. Except the tools at hand this time are little short of godlike.
It's an exciting time. If you wanted things to stay the same, you shouldn't have gone into technology or art.
Inspiring artists =/= involuntarily training privately owned LLM’s that charge for access.
Agreed there, which is why it's important to work for open access to the results. The resulting regime won't look much like present-day copyright law, but if we do it right, it will be better for us all.
In other words, instead of insisting that "No one can have this," or "Only a few can have this," which (again) will not be options for works that you release commercially, it's better IMHO to insist that "Everyone can have this."
> In other words, instead of insisting that "No one can have this," or "Only a few can have this,
Please show me where I ever said anything remotely like that. You’re painting my stance as very all or nothing, which is inaccurate.
You’re trying to make me into some caricature that you can grind your axe against, when I’m somebody who doesn’t even agree with modern copyright law. I think we’re past the point of productivity, so I’ll just leave it there. Have a good one
> How do you feel about entities taking your face off of your personal website and plastering it on billboards smiling happily next to their product?
That would be misrepresentation. Even Stallman isn't OK with that. You can take one of his opinion pieces and publish it as your own. Or you can attach his name to it.
However, if you're editing it and releasing it under his name, clearly you're simply lying, and nobody is OK with that. People have the right to be recognized as authors of things they did author (if they so desire) and they have a right to NOT be associated with things they didn't.
> At the end of the day it’s very gross when we are exploited without our knowledge or permission so rich groups can get richer.
The second part is the entirety of the problem. If I'm "exploited" in a way where I can't even notice it, and I'm not worse off for it, how is it even exploitation? But people amassing great power is a problem no matter if they do it with "legitimate" means or not.
If somebody is stealing from your bank account every week and you just don’t notice it, are you not being stolen from? Has nobody stolen your credit card and used it until the moment you notice the charges. I don’t really think we can go “if a tree fall in the forest and nobody is around to hear it…” about this.
Stallman has his opinions on software, I have my opinions on my visual work. I don’t get really how that applies here or why that settles this matter.
If someone steals from my bank account I certainly CAN notice it even if I don't immediately, and I'm certainly worse off.
That's such a bad straw man I wonder if you're really supporting the position you claim to be supporting. Maybe you're just trying to give it a bad name.
Your opinion isn't on visual work, but visual property. You don't demand to be paid for your work - your labor. Rather you traded that for the dream of being paid rent on a capital object, in perpetuity (or close enough). Artists lost to the power-mongers when we bit at that bait.
Copyright has overstepped its initial purpose by leaps and bounds because corporations make the law. If you're not cynical about how Copyright currently works you probably haven't been paying attention. And it doesn't take much to go from cynical to nihilist in this case.
There's definitely a case of miscommunication at play if you didn't read cynicism into my original post. I broadly agree with you, but I'll leave it at that to prevent further fruitless arguing about specifics.
(to clarify, OpenAI stops refining the image if a classifier detects your image as potentially violating certain copyrights. Although the gulf in resolution is not caused by that.)
The people building the tech are extremely fussy about their work being cited and extremely protective of their models files so they themselves have massive issues with their work being used or replicated non-consensually.
I can tell you with 100% certainty they are not. For example, Crash doesn't have a backside for his torso. You could definitely make a model that uses these as textures, but you'd really have to force it and a lot of it would be stretched or look weird. If you want to go this approach, it would make a lot more sense to make a model, unwrap it, and use the wireframe UV map as input.
It's strange to me too, but they must have done the market research for what people do with image gen.
My own main use cases are entirely textual: Programming, Wiki, and Mathematics.
I almost never use image generation for anything. However its objectively extremely popular.
This has strong parallels for me to when snapchat filters became super popular. I know lots of people loved editing and filtering pictures but I always left everything as auto mode, in fact I'd turn off a lot of the default beauty filters. It just never appealed to me.
This is what struck me as well. I got weird undertones of 'Now you don't even need to have real memories! Just fabricate them.' They even prominently showcase edits of placing you with another person, further deepening disingenuous or parasocial relationships
I can actually imagine actors selling the rights to make fake images with them.
In late stage capitalism you pay for fake photos with someone. You have chat gpt write about how you dated for a summer, and have it end with them leaving for grad school to explain why you aren't together.
Eventually we'll all just pay to live in the matrix. When your credit card is declined you'll be logged out, to awaken in a shared studio apartment. To eat your rations.
I can see them getting paid like residuals from TV re-runs.
But after a point it'll hit saturation point. The novelty will wear off since everyone has access to it. Who cares if you have a fake photo with a celebrity if everyone knows it's fake.
My pet theory is that OpenAI screwed up the image normalization calculation and was stuck with the mistake since that's something that can't be worked around.
At the least, it's not present in these new images.
There's still something off in the grading, and I suspect they worked around it
(although I get what you mean, not easily since you already trained)
I'm guessing when they get a clean slate we'll have Image 2 instead of 1.5. In LMArena it was immediately apparent it was an OpenAI model based on visuals.
There's a possibility that any automatic correction could have false positives (since the yellow tint doesn't happen 100% of the time) which creates different problems where a image could have an even weirder hue.
Yeah, though I can imagine a conversation like this:
SWE: "Seriously? import PIL \ read file \ == (c + 10%, m = m, y = y, k = k) \ save file done!"
Exec: "Yeah, and first blogger get's a hold of image #1 they generate, starts saying 'Hey! This thing's been color corrected w/o AI! lol lame'"
Or not, no idea. i've not understood the choice either, besides very intelligent AI-driven auto-touch up for lighting/color correction has been a thing for a while. It's just, for those I end up finding an answer for, maybe 25% of head scratcher decisions do end of having a reasonable, if non intuitive answer for. Here? haven't been able to figure one yet though, or find a reason/mention by someone who appears to have an inside line on it.
Meta's codec avatars all have a green cast because they spent millions on the rig to capture whole bodies and even more on rolling it out to get loads of real data.
They forgot to calibrate the cameras, so everything had a green tint.
Meanwhile all the other teams had a billion macbeth charts lying around just in case.
Also, you'd be shocked at how few developers know anything at all about sRGB (or any other gamut/encoding), other than perhaps the name. Even people working in graphics, writing 3D game engines, working on colorist or graphics artist tools and libraries.
Not really, but there's a number of theories. The simplest one is that they "style tuned" the AI on human preference data, and this introduced a subtle bias for yellow.
And I say "subtle" - but because that model would always "regenerate" an image when editing, it would introduce more and more of this yellow tint with each tweak or edit. Which has a way of making a "subtle" bias anything but.
That seems unlikely, as we didn't see anything like that with Dall-E, unless the auto regressive nature of gpt-image somehow was more influenced by it.
The Studio Ghibli craze started with the initial release of images in ChatGPT, and the yellow filter has always existed even at that time. They did not make changes to the model as a result of RL (until pontentially today, with a new model)
This outperforms Gemini 3 pro image (nano banana pro) on Text-to-Image Arena and Image Edit Arena. I'm surprised they didn't mention this leaderboard in the blog post.
I like this benchmark because its based upon user votes, so overfitting is not as easy (after all, if users prefer your result, you've won).
Did an experiment to give a software product a dark theme. Gave Both (GPT and Gemini/Nano) a screenshot of the product and an example theme I found on Dribbble.
- Gemini/Nano did a pretty average job, only applying some grey to some of the panels. I tried a few different examples and got similar output.
- GPT did a great job and themed the whole app and made it look great. I think I'd still need a designer to finesse some things though.
I haven't really kept up with what Midjourney has been doing the past year or two. While I liked the stylistic aspects of Midjourney, being able to use image examples to maintain stylistic consistency and character consistency is SO useful for creating any meaningful output. Have they done anything in that respect?
That is, it's nice to make a pretty stand-alone image, but without tools to maintain consistency and place them in context you can't make a project that is more than just one image, or one video, or a scattered and disconnected sequence of pieces.
This is a cultural flaw that predates image generation. Even PG has made statements on HN in the past equating “rendering skill” with the quality of art works. It’s a stand-in for the much more difficult task of understanding the work and value of culture making within the context of the society producing it.
Suppose the deck for Midjourney hit Paul Graham's desk, and the CEO was just an average Y Combinator CEO - so no previous success story. He would have never invested in Midjourney at seed stage (meaning before launch / before there were users) even if he were given the opportunity.
Better to read that particular story in the context of, "It would be very difficult to make a seed fund that is an index of all avant garde culture making because [whatever]."
That's because it's a two-way street, a multi-modal model that is highly proficient at real-life image generation is also highly proficient at interpreting real-life image input, which is something sorely needed for robotics.
-The latency is still too high, lower than 10 seconds for nano banana and around 25 seconds for GPT image 1.5
-The quality is higher but not a jump like previous google models to Nano Banana Pro. Nano banana pro is still at least equivalently good or better in my opinion.
So the announcement said the API works with the new model, so I updated my Golang SDK grail (https://github.com/montanaflynn/grail) to use but it returns a 500 server error when you try to use it, and if you change to a completely unknown model it's not listed in the available models:
POST "https://api.openai.com/v1/responses": 500 Internal Server Error {
"message": "An error occurred while processing your request. You can retry your request, or contact us through our help center at help.openai.com if the error persists. Please include the request ID req_******************* in your message.",
"type": "server_error",
"param": null,
"code": "server_error"
}
POST "https://api.openai.com/v1/responses": 400 Bad Request {
"message": "Invalid value: 'blah'. Supported values are: 'gpt-image-1' and 'gpt-image-1-mini'.",
"type": "invalid_request_error",
"param": "tools[0].model",
"code": "invalid_value"
}
One thing I’ve noticed when comparing these models is that “quality” and “realism” don’t always move together.
Some models are very strong at sharp details and localized edits, but they can break global lighting consistency — shadows, reflections, or overall scene illumination drift in subtle ways. GPT-Image seems to trade a bit of micro-detail for better global coherence, especially in lighting, which makes composites feel more believable even if they’re not pixel-perfect.
It’s hard to capture this in benchmarks, but for real-world editing workflows it ends up mattering more than I initially expected.
I know this is a bit out of scope for these image editing models but I always try this experiment [1] of drawing a "random" triangle and then doing some geometric construction and they mess up in very funny ways. These models can't "see" very well. I think [2] is still very relevant.
Great to have continued competition in the different model types.
What angle is there for second tier models? Could the future for OpenAI be providing a cheaper option when you don't need the best? It seems like that segment would also be dominated by the leading models.
I would imagine the future shakes out as: first class hosted models, hosted uncensored models, local models.
AI-generated images would remove all the trust and admire for human talent in art, similar to how text-generation would remove trust and admire for human talent in writing. Same case for coding.
So, let's simulate that future. Since no one trusts your talent in coding, art or writing, you wouldn't care to do any of these. But the economy is built on the products and services which get their value based how much of human talent and effort is required to produce them.
So, the value of these services and products goes down as demand and trust goes down. No one knows or cares who is a good programmer in the team, who is great thinker and writer and who is a modern Picasso.
So, the motivation disappears for humans. There are no achievements to target, there is no way to impress others with your talent. This should lead to uniform workforce without much difference in talents. Pretty much a robot army.
Anyone else have issues verifying with openai? I always get a "congrats you're done" screen with a green checkmark from Persona, nothing to click, and my account stays unverified. (Edit, mystically, it's fixed..!)
Hope to see more "red alert" status from the ai wars putting companies into al hands on deck. This is only helping cost of tokens and efficacy. As always competition only helps the end users.
I get the tech implementation is amazing, I wonder if it takes away from genuineness of events, like the Astronaut photo, I get it's just a joke/funny too but it's like a photo of you in a supercar vs. actually buying one. Or fake AI companions vs. real people. Beauty filters/skinny filters vs. actually being healthy.
> In the style of a 1970s book sci-fi novel cover: A spacer walks towards the frame. In the background his spaceship crashed on an icy remote planet. The sky behind is dark and full of stars.
Nano banana pro via gemini did really well, although still way too detailed, and it then made a mess of different decades when I asked it to follow up: https://gemini.google.com/share/1902c11fd755
It's therefore really disappointing that GPT-image 1.5 did this:
Unlike Nano Banana it allows generating photos of children. Always fun to ask AI to imagine children of a couple but it's also kinda concerning that there might be terrible use cases.
God OpenAI are so far behind. Their own example shows that trying to only change specific parts of the image doesn't work without affecting the background.
Alt text is one of the nicest uses for ai and still Open AI didn't bother using it for something so basic. The dogfooding is not strong with their marketing team.
Every person in every picture in their examples is white except for 1 Asian dude. Like a 46:1 ratio for the page (I counted). Not one Middle Eastern or Black or Jewish or Indian or South American person.
Not even one. And no one on the team said anything?
In the image they showed for the new one, the mechanic was checking a dipstick...that was still in the vehicle.
I really hope everyone is starting to get disillusioned with OpenAI. They're just charging you more and more for what? Shitty images that are easy to sniff out?
In that case, I have a startup for you to invest in. Its a bridge-selling app.
What is the endgame? Why is OpenAI throwing that much money on image/video generation? Is there a profitable market for AI-generated image slop? Do people choose ChatGPT instead of Gemini/Grok/Claude because of the image generation capabilities? To me, it looks like a huge fiery money pit.
Okay results are in for GenAI Showdown with the new gpt-image 1.5 model for the editing portions of the site!
https://genai-showdown.specr.net/image-editing
Conclusions
- OpenAI has always had some of the strongest prompt understanding alongside the weakest image fidelity. This update goes some way towards addressing this weakness.
- It's leagues better at making localized edits without altering the entire image's aesthetic than gpt-image-1, doubling the previous score from 4/12 to 8/12 and the only model that legitimately passed the Giraffe prompt.
- It's one of the most steerable models with a 90% compliance rate
Updates to GenAI Showdown
- Added outtakes sections to each model's detailed report in the Text-to-Image category, showcasing notable failures and unexpected behaviors.
- New models have been added including REVE and Flux.2 Dev (a new locally hostable model).
- Finally got around to implementing a weighted scoring mechanism which considers pass/fail, quality, and compliance for a more holistic model evaluation (click pass/fail icon to toggle between scoring methods).
If you just want to compare gpt-image-1, gpt-image-1.5, and NB Pro at the same time:
https://genai-showdown.specr.net/image-editing?models=o4,nbp...
Absolutely fabulous work.
Ludicrously unnecessary nitpick for "Remove all the brown pieces of candy from the glass bowl":
> Gemini 2.5 Flash - 18 attempts - No matter what we tried, Gemini 2.5 Flash always seemed to just generate an entirely new assortment of candies rather than just removing the brown ones.
The way I read the prompt, it demands that the candies should change arrangement. You didn't say "change the brown candies to a different color", you said "remove them". You can infer from the few brown ones that you can see that there are even more underneath - surely if you removed them all (even just by magically disappearing them) then the others would tumble down into a new location? The level of the candies is lower than before you started, which is what you'd expect if you remove some. Maybe it's just coincidence, but maybe this really was its reasoning. (It did unnecessarily remove the red candy from the hand though.)
I don't think any of the "passes" did as well as this, including Gemini 3.0 Pro Image. Qwen-Image-Edit did at least literally remove one of the three visible brown candies, but just recolored the other two.
This showdown benchmark was and still is great, but an enormous grain of salt should be added to any model that was released after the showdown benchmark itself.
Maybe everyone has a different dose of skepticism. Personally I'm not even looking at results for models that were released after the benchmark, for all this tells us, they might as well be one-trick ponies that only do well in the benchmark.
It might be too much work, but one possible "correct" approach for this kind of benchmark would to periodically release new benchmarks with new tests (that are broadly in the same categories) and only include models that predate each benchmark.
"Remove all the trash from the street and sidewalk. Replace the sleeping person on the ground with a green street bench. Change the parking meter into a planted tree."
What a prompt and image.
Z-image was released recently and that's what /r/StableDiffusion all talks about these days. Consider adding that too. It is very good quality for its size (Requires only 6 or 8 gigs of ram).
I really love everything you're doing!
Personal request: could you also advocate for "image previz rendering", which I feel is an extremely compelling use case for these companies to develop. Basically any 2d/3d compositor that allows you to visually block out a scene, then rely on the model to precisely position the set, set pieces, and character poses.
If we got this task onto benchmarks, the companies would absolutely start training their models to perform well at it.
Here are some examples:
gpt-image-1 absolutely excels at this, though you don't have much control over the style and aesthetic:
https://imgur.com/gallery/previz-to-image-gpt-image-1-x8t1ij...
Nano Banana (Pro) fails at this task:
https://imgur.com/a/previz-to-image-nano-banana-pro-Q2B8psd
Flux Kontext, Qwen, etc. have mixed results.
I'm going to re-run these under gpt-image-1.5 and report back.
Edit:
gpt-image-1.5 :
https://imgur.com/a/previz-to-image-gpt-image-1-5-3fq042U
And just as I finish this, Imgur deletes my original gpt-image-1 post.
Old link (broken): https://imgur.com/a/previz-to-image-gpt-image-1-Jq5M2Mh
Hopefully imgur doesn't break these. I'll have to start blogging and keep these somewhere I control.
I disagree with gpt-image-1.5's grade on the worm sign. It moved some of the marks around to accommodate the enlarged black area, but retained the overall appearance of the sign.
GPT Image 1.5 is the first model that gets close to replicating the intricate detail mosaic of bullets in the "Lord of War" movie poster for me. Following the prompt instructions more closely also seems better compared to Nano Banana Pro.
I edited the original "Lord of War" poster with a reference image of Jensen and replaced bullets with GPU dies, silicon wafers and electronic components.
https://x.com/singhkays/status/2001080165435113791
One other test you could add is generating a chessboard from a FEN. I was surprised to see NBP able to do that (however, it seems to only work with fewer pieces, after a certain amount it makes mistakes or even generates a completely wrong image) https://files.catbox.moe/uudsyt.png
Love this benchmark, always the first place I look. Also seems like it is time to move the goalposts, not sure we are getting enough resolution between models anymore.
Out of curiosity why does gemini get gold for the poker example but gpt-image 1.5 does not? I couldn't see a difference between the two.
It failed my benchmark of a photo of a person touching their elbows together.
I can't click the compliance info button on mobile. The text shows for half a second and then vanishes. Long press just marks the text for copy paste.
Nano Banana has still the best VAE we have seen especially if you are doing high res production work. The flux2 comes close but gpt image is still miles away.
So when you say "X attempts" what does that mean? You just start a new chat with the same exact prompt and hope for a different result?
This leaderboard feels incredibly accurate given my own experience.
Stupid Cisco Umbrella is blocking you
> the only model that legitimately passed the Giraffe prompt.
10 years ago I would have considered that sentence satire. Now it allegedly means something.
Somehow it feels like we’re moving backwards.
I have a Nano Banana Pro blog post in the works expanding on my experiments with Nano Banana (https://news.ycombinator.com/item?id=45917875). Running a few of my test cases from that post and the upcoming blog post through this new ChatGPT Image model, this new model is better than Nano Banana but MUCH worse than Nano Banana Pro which now nails the test cases that previously showed issues. The pricing is unclear but gpt-image-1.5 appears to be 20% cheaper than the current gpt-image-1 model, which would put a `high`-quality generation in the same price range as Nano Banana Pro.
One curious case demoed here in the docs is the grid use case. Nano Banana Pro can also generate grids, but for NBP grid adherence to the prompt collapses after going higher than 4x4 (there's only a finite amount of output tokens to correspond to each subimage), so I'm curious that OpenAI started with a 6x6 case albeit the test prompt is not that nuanced.
I'll be running gpt-image-1.5 through my GenAI Showdown later today, but in the meantime if you want to see some legitimately impressive NB Pro outputs, check out:
https://mordenstar.com/blog/edits-with-nanobanana
In particular, NB Pro successfully assembled a jigsaw puzzle it had never seen before, generated semi-accurate 3D topographical extrapolations, and even swapped a window out for a mirror.
I just tested GPT1.5. I would say the image quality is on par with NBP in my tests (which is surprising as the images in their trailer video are bad), but the prompt adherence is way worse, and its "world model" if you want to call it that is worse. For instance, I asked it for two people in a row boat and it had two people, but the boat was more like a coracle and they would barely fit inside it.
Also: SUPER ANNOYING. It seems every time you give it a modification prompt it erases the whole conversation leading up to the new pic? Like.. all the old edits vanish??
I added "shaky amateur badly composed crappy smartphone photo of ____" to the start of my prompts to make them look more natural.
Counterpoint from someone on the Musk site: https://x.com/flowersslop/status/2001007971292332520
I really enjoyed your experiments. Thank you for sharing your experiences. They've improved my prompting and have tempered my expectations.
I've been a filmmaker for 10+ years. I really want more visual tools that let you precisely lay out consistent scenes without prompting. This is important for crafting the keyframes in an image-to-video style workflow, and is especially important for long form narrative content.
One thing that gpt-image-1 does exceptionally well that Nano Banana (Pro) can't is previz-to-render. This is actually an incredibly useful capability.
The Nano Banana models take the low-fidelity previz elements/stand-ins and unfortunately keep the elements in place without attempting to "upscale" them. The model tries to preserve every mistake and detail verbatim.
Gpt-image-1, on the other hand, understands the layout and blocking of the scene, the pose of human characters, and will literally repair and upscale everything.
Here's a few examples:
- 3D + Posing + Blocking: https://youtu.be/QYVgNNJP6Vc
- Again, but with more set re-use: https://youtu.be/QMyueowqfhg
- Gaussian splats: https://youtu.be/iD999naQq9A
- Gaussians again: https://youtu.be/IxmjzRm1xHI
We need models that can do what gpt-image-1 does above, but that have higher quality, better stylistic control, faster speed, and that can take style references (eg. glossy Midjourney images).
Nano Banana team: please grow these capabilities.
Adobe is testing and building some really cool capabilities:
- Relighting scenes: https://youtu.be/YqAAFX1XXY8?si=DG6ODYZXInb0Ckvc&t=211
- Image -> 3D editing: https://youtu.be/BLxFn_BFB5c?si=GJg12gU5gFU9ZpVc&t=185 (payoff is at 3:54)
- Image -> Gaussian -> Gaussian editing: https://youtu.be/z3lHAahgpRk?si=XwSouqEJUFhC44TP&t=285
- 3D -> image with semantic tags: https://youtu.be/z275i_6jDPc?si=2HaatjXOEk3lHeW-&t=443
I'm trying to build the exact same things that they are, except as open source / source available local desktop tools that we can own. Gives me an outlet to write Rust, too.
If this was a farm of sweatshop Photoshopers in 2010, who download all images from the internet and provide a service of combining them on your request, this would escalate pretty quickly.
Question: with copyright and authorship dead wrt AI, how do I make (at least) new content protected?
Anecdotal: I had a hobby of doing photos in quite rare style and lived in a place where you'd get quite a few pictures of. When I asked gpt to generate a picture of that are in that style, it returned highly modified, but recognizable copy of a photo I've published years ago.
> how do I make (at least) new content protected?
Air gap. If you don’t want content to be used without your permission, it never leaves your computer. This is the only protection that works.
If you want others to see your content, however, you have to accept some degree of trade off with it being misappropriated. Blatant cases can be addressed the same as they always were, but a model overfitting to your original work poses an interesting question for which I’m not aware of any legal precedents having been set yet.
Horror scenario:
Big IP holders will go nuclear on IP licensing to an extent we've never seen before.
Right now, there are thousands of images and videos of Star Wars, Pokemon, Superman, Sonic, etc. being posted across social media. All it takes is for the biggest IP conglomerates to turn into linear tv and sports networks of the past and treat social media like cable.
Disney: "Gee {Google,Meta,Reddit,TikTok}, we see you have a lot of Star Wars and Marvel content. We think that's a violation of our rights. If you want your users to continue to be able to post our media, you need to pay us $5B/yr."
I would not be surprised if this happens now that every user on the internet can soon create high-fidelity content.
This could be a new $20-30B/yr business for Disney. Nintendo, WBD, and lots of other giant IP holders could easily follow suit.
Disney invests $1 billion in OpenAI, licenses 200 characters for AI video app Sora
https://arstechnica.com/ai/2025/12/disney-invests-1-billion-...
One day later, "Google pulls AI-generated videos of Disney characters from YouTube in response to cease and desist":
https://www.engadget.com/ai/google-pulls-ai-generated-videos...
The next step is to take this beyond AI generations and to license rights to characters and IP on social media directly.
The next salvo will be where YouTube has to take down all major IP-related content if they don't pay a licensing fee. Regardless of how it was created. Movie reviews, fan animations, video game let's plays.
I've got a strong feeling that day is coming soon.
We are probably entering the post-copyright era. The law will follow sooner or later.
That seems unlikely to me. One side is made up of lots and lots of entrenched interests with sympathetic figures like authors and artists on their side, and the other is “big tech,” dominated by the rather unsympathetic OpenAI and Google.
The other side however has the "if you restrict us, China will win" argument on their side.
That argument is easy to politicize and selectively ignore. See: renewables and EVs.
Yup, just like the post-copyright era followed the dawn of the internet and the emergence of Napster.
Using references is a standard industry practice for digital art and VFX. The main difference is that you are unable to accidentally copy a reference too close, while with AI it’s possible.
> Question: with copyright and authorship dead wrt AI, how do I make (at least) new content protected?
Question: Now that the steamboats have been invented, how do I keep my clipper business afloat ?
Answer: Good riddance to the broken idea of IP, Schumpeter's Gale is around the corner, time for a new business model.
I guess some kind of hard (repetitive) steganography where the private key signature of the original photo is somehow encoded lots of times; also watermarking everything and asking the reader for some kind of verification if they want their non-watermarked copy.
There seems to be no other way (apart from air-gapping everything, as others say).
A middle ground would be Chat GPT at least providing attribution.
Back in reality, you can get in line to sue. Since they have more money than you, you can't really win though.
So it goes.
my question to your anecdotal: who cares? not being fecicious, but who cares if someone reproduced your stuff and millions of people see your stuff? is the money that you want? is it the fame? because fame you will get, maybe not money... but couldn't there be another way?
People have values that go beyond wealth and fame. Some people care about things like personal agency, respect and deference, etc.
If someone were on vacation and came home to learn that their neighbor had allowed some friends stay in the empty house, we would often expect some kind of outrage regardless of whether there had been specific damage or wear to the home.
Culturally, people have deeply set ideas about what's theirs, and feel like they deserve some say over how their things are used and by whom. Even those that are very generous and want their things be widely shared usually want to have have some voice in making that come to be.
If I were a creative I would avoid seeing any work I am not legally allowed to get inspired by, why install furniture into my brain I can't sit on? I see this kind of IP protection as poisoned grounds, can't do anything on top of it.
To clarify my question - I do not want anything I create to be fed into their training data. That photo is just an example that I caught and it became personal. But in general I don't want anymore to open source my code, write articles and put any effort into improving training data set.
As a professional cinematographer/photographer I am incredibly uncomfortable with people using my art without my permission for unknown ends. Doubly so when it’s venture backed private companies stealing from millions of people like me as they make vague promises about the capabilities of their software trained on my work. It doesn’t take much to understand why that makes me uncomfortable and why I feel I am entitled to saying “no.” Legally I am entitled to that in so many cases, yet for some reason Altman et al get to skip that hurdle. Why?
How do you feel about entities taking your face off of your personal website and plastering it on billboards smiling happily next to their product? What if it’s for a gun? Or condoms? Or a candidate for a party you don’t support? Pick your own example if none of those bother you. I’m sure there are things you do not want to be associated with/don’t want to contribute to.
At the end of the day it’s very gross when we are exploited without our knowledge or permission so rich groups can get richer. I don’t care if my visual work is only partially contributing to some mashed up final image. I don’t want to be a part of it.
The day after I first heard about the Internet, back in 1990-whatever, it occurred to me that I probably shouldn't upload anything to the Internet that I didn't want to see on the front page of tomorrow's newspaper.
Apart from the 'newspaper' anachronism, that's pretty much still my take.
Sorry, but you'll just have to deal with it and get over it.
> Sorry, but you'll just have to deal with it and get over it.
You were fine until this bit.
They're still fine because they're right.
You got to play the copyright game when the big corps were on your side.
Now they're on the other side. Deal with it and get over it.
You are not entitled to my art. Comparing that to copyright abuse by large corporations is ridiculous.
I get access to inspiration from everybody's art, and so do you. Seems like a good deal to me.
Meanwhile, the next generation of great artists is already at work down the street from you. Some kids you've never heard of, playing around in a basement or garage you've probably driven past a hundred times. They're learning to make the most of the tools at hand, just like the old masters did. Except the tools at hand this time are little short of godlike.
It's an exciting time. If you wanted things to stay the same, you shouldn't have gone into technology or art.
Inspiring artists =/= involuntarily training privately owned LLM’s that charge for access.
If you want me to hand some of my work over to artists so they can learn and grow and experiment, send them my way. Happy to help.
Inspiring artists =/= involuntarily training privately owned LLM’s that charge for access.
Agreed there, which is why it's important to work for open access to the results. The resulting regime won't look much like present-day copyright law, but if we do it right, it will be better for us all.
In other words, instead of insisting that "No one can have this," or "Only a few can have this," which (again) will not be options for works that you release commercially, it's better IMHO to insist that "Everyone can have this."
> In other words, instead of insisting that "No one can have this," or "Only a few can have this,
Please show me where I ever said anything remotely like that. You’re painting my stance as very all or nothing, which is inaccurate.
You’re trying to make me into some caricature that you can grind your axe against, when I’m somebody who doesn’t even agree with modern copyright law. I think we’re past the point of productivity, so I’ll just leave it there. Have a good one
You should be proud your work will now be distilled enterally and an aspect of your work will forever influence the world
I’m not
> How do you feel about entities taking your face off of your personal website and plastering it on billboards smiling happily next to their product?
That would be misrepresentation. Even Stallman isn't OK with that. You can take one of his opinion pieces and publish it as your own. Or you can attach his name to it.
However, if you're editing it and releasing it under his name, clearly you're simply lying, and nobody is OK with that. People have the right to be recognized as authors of things they did author (if they so desire) and they have a right to NOT be associated with things they didn't.
> At the end of the day it’s very gross when we are exploited without our knowledge or permission so rich groups can get richer.
The second part is the entirety of the problem. If I'm "exploited" in a way where I can't even notice it, and I'm not worse off for it, how is it even exploitation? But people amassing great power is a problem no matter if they do it with "legitimate" means or not.
If somebody is stealing from your bank account every week and you just don’t notice it, are you not being stolen from? Has nobody stolen your credit card and used it until the moment you notice the charges. I don’t really think we can go “if a tree fall in the forest and nobody is around to hear it…” about this.
Stallman has his opinions on software, I have my opinions on my visual work. I don’t get really how that applies here or why that settles this matter.
If someone steals from my bank account I certainly CAN notice it even if I don't immediately, and I'm certainly worse off.
That's such a bad straw man I wonder if you're really supporting the position you claim to be supporting. Maybe you're just trying to give it a bad name.
Your opinion isn't on visual work, but visual property. You don't demand to be paid for your work - your labor. Rather you traded that for the dream of being paid rent on a capital object, in perpetuity (or close enough). Artists lost to the power-mongers when we bit at that bait.
If you think that’s a bad example so be it but I’m not attempting to make a strawman or give anything a bad name.
I don’t really know where all the hostility came from in this conversation but I think it’s best if we move on.
Suddenly, copyright doesn't matter anymore when it's no longer useful to the narrative.
Copyright has overstepped its initial purpose by leaps and bounds because corporations make the law. If you're not cynical about how Copyright currently works you probably haven't been paying attention. And it doesn't take much to go from cynical to nihilist in this case.
There's definitely a case of miscommunication at play if you didn't read cynicism into my original post. I broadly agree with you, but I'll leave it at that to prevent further fruitless arguing about specifics.
OpenAI does care about copyright, thankfully China does not: https://imgur.com/a/RKxYIyi
(to clarify, OpenAI stops refining the image if a classifier detects your image as potentially violating certain copyrights. Although the gulf in resolution is not caused by that.)
(Shrug) This is more important. Sorry.
The people building the tech are extremely fussy about their work being cited and extremely protective of their models files so they themselves have massive issues with their work being used or replicated non-consensually.
The issue is ownership, not promotion or visibility.
facetious
[I won't bother responding to the rest of your appalling comment]
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I am very impressed a benchmark I like to run is have it create sprite maps, uv texture maps for an imagined 3d model
Noticed it captured a megaman legends vibe ....
https://x.com/AgentifySH/status/2001037332770615302
and here it generated a texture map from a 3d character
https://x.com/AgentifySH/status/2001038516067672390/photo/1
however im not sure if these are true uv maps that is accurate as i dont have the 3d models itself
but ive tried this in nano banana when it first came out and it couldn't do it
> however im not sure if these are true uv maps
I can tell you with 100% certainty they are not. For example, Crash doesn't have a backside for his torso. You could definitely make a model that uses these as textures, but you'd really have to force it and a lot of it would be stretched or look weird. If you want to go this approach, it would make a lot more sense to make a model, unwrap it, and use the wireframe UV map as input.
Here's the original Crash model: https://models.spriters-resource.com/pc_computer/crashbandic... , its actual texture is nothing like the generated one, because the real one was designed for efficiency.
That's a remake model in a modern game. The original Crash was even simpler than that one.
Most of Crash in the first game was not textured; just vertex colours. Only the fur on his back and his shoelaces were textures at all.
"Original" as in the original of the one they used in their tweet.
yeah definitely impressive compared to what nano banana outputted
tried your suggested approach by unwrapaped wireframe uv as input and im impressed
https://x.com/AgentifySH/status/2001057153235222867
obviously its not going to be accurate 1:1 but with more 3d spatial awareness i think it could definitely improve
> however im not sure if these are true uv maps that is accurate as i dont have the 3d models itself
also in the tweet
> GPT Image 1.5 is **ing crazy
and
> holy shit lol
what's impressive if you don't know if it's right or not (as the other comment pointed out, it is not right)
It's really weird to see "make images from memories that aren't real" as a product pitch
It's strange to me too, but they must have done the market research for what people do with image gen.
My own main use cases are entirely textual: Programming, Wiki, and Mathematics.
I almost never use image generation for anything. However its objectively extremely popular.
This has strong parallels for me to when snapchat filters became super popular. I know lots of people loved editing and filtering pictures but I always left everything as auto mode, in fact I'd turn off a lot of the default beauty filters. It just never appealed to me.
It would creep me out if the model produced origami animals for that prompt.
This is what struck me as well. I got weird undertones of 'Now you don't even need to have real memories! Just fabricate them.' They even prominently showcase edits of placing you with another person, further deepening disingenuous or parasocial relationships
I can actually imagine actors selling the rights to make fake images with them.
In late stage capitalism you pay for fake photos with someone. You have chat gpt write about how you dated for a summer, and have it end with them leaving for grad school to explain why you aren't together.
Eventually we'll all just pay to live in the matrix. When your credit card is declined you'll be logged out, to awaken in a shared studio apartment. To eat your rations.
I can see them getting paid like residuals from TV re-runs.
But after a point it'll hit saturation point. The novelty will wear off since everyone has access to it. Who cares if you have a fake photo with a celebrity if everyone knows it's fake.
> When your credit card is declined you'll be logged out, to awaken in a shared studio apartment. To eat your rations.
You're funny. No, you'll awaken in a tent, next to your shopping cart, under the bridge.
Was it ever explained or understood why ChatGPT Images always has (had?) that yellow cast?
My pet theory is that OpenAI screwed up the image normalization calculation and was stuck with the mistake since that's something that can't be worked around.
At the least, it's not present in these new images.
There's still something off in the grading, and I suspect they worked around it
(although I get what you mean, not easily since you already trained)
I'm guessing when they get a clean slate we'll have Image 2 instead of 1.5. In LMArena it was immediately apparent it was an OpenAI model based on visuals.
wdym it cant be worked around when there exist literal yellow tint corrector models/tools haha
There's a possibility that any automatic correction could have false positives (since the yellow tint doesn't happen 100% of the time) which creates different problems where a image could have an even weirder hue.
Yeah, though I can imagine a conversation like this:
SWE: "Seriously? import PIL \ read file \ == (c + 10%, m = m, y = y, k = k) \ save file done!"
Exec: "Yeah, and first blogger get's a hold of image #1 they generate, starts saying 'Hey! This thing's been color corrected w/o AI! lol lame'"
Or not, no idea. i've not understood the choice either, besides very intelligent AI-driven auto-touch up for lighting/color correction has been a thing for a while. It's just, for those I end up finding an answer for, maybe 25% of head scratcher decisions do end of having a reasonable, if non intuitive answer for. Here? haven't been able to figure one yet though, or find a reason/mention by someone who appears to have an inside line on it.
Meta's codec avatars all have a green cast because they spent millions on the rig to capture whole bodies and even more on rolling it out to get loads of real data.
They forgot to calibrate the cameras, so everything had a green tint.
Meanwhile all the other teams had a billion macbeth charts lying around just in case.
Also, you'd be shocked at how few developers know anything at all about sRGB (or any other gamut/encoding), other than perhaps the name. Even people working in graphics, writing 3D game engines, working on colorist or graphics artist tools and libraries.
Not really, but there's a number of theories. The simplest one is that they "style tuned" the AI on human preference data, and this introduced a subtle bias for yellow.
And I say "subtle" - but because that model would always "regenerate" an image when editing, it would introduce more and more of this yellow tint with each tweak or edit. Which has a way of making a "subtle" bias anything but.
There was also the theory that is was because they scanned a bunch of actual real books and book paper has a slight yellow hue.
That seems unlikely, as we didn't see anything like that with Dall-E, unless the auto regressive nature of gpt-image somehow was more influenced by it.
My pet theory is that this is the "Mexico filter" from movies leaking through the training data.
I never heard anything concrete offered. At least it's relatively easy to work around with a tone mapping / LUTs.
I'm guessing that it was intentional all along, as no other models exhibit this behavior. It was so it could be instantly recognized as ChatGPT
There's definitely an analysis on the net somewhere, can't remember the details though.
maybe their version of synth-id? it at least helps me spot gpt images vs gemini's
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Colloquially called the urine filter
lets not mince words, its called the "piss filter"
Not always, it started at a very specific point. Studio Ghibli craze + reinforcement learning on the likes.
The Studio Ghibli craze started with the initial release of images in ChatGPT, and the yellow filter has always existed even at that time. They did not make changes to the model as a result of RL (until pontentially today, with a new model)
That's not how it works the model doesn't just update in real time to likes and besides it was already yellow upon release
This outperforms Gemini 3 pro image (nano banana pro) on Text-to-Image Arena and Image Edit Arena. I'm surprised they didn't mention this leaderboard in the blog post.
I like this benchmark because its based upon user votes, so overfitting is not as easy (after all, if users prefer your result, you've won).
https://lmarena.ai/leaderboard/text-to-image
https://lmarena.ai/leaderboard/image-edit
The score are really, really close, it might be why
The arena concept doesn’t work for image models due to watermarks.
There are no watermarks in the arena.
There are no visible watermarks, but model makers can use steganographic codes to identify outputs from their own models.
Text-to-Image Models Leave Identifiable Signatures: Implications for Leaderboard Security
https://arxiv.org/pdf/2510.06525
This is true, however LMArena does employ some methods to mitigate attempts to manipulate the leaderboard, see https://openreview.net/forum?id=zf9zwCRKyP
They also control for style https://news.lmarena.ai/sentiment-control/
Did an experiment to give a software product a dark theme. Gave Both (GPT and Gemini/Nano) a screenshot of the product and an example theme I found on Dribbble.
- Gemini/Nano did a pretty average job, only applying some grey to some of the panels. I tried a few different examples and got similar output.
- GPT did a great job and themed the whole app and made it look great. I think I'd still need a designer to finesse some things though.
I still use Midjourney, because all of these major players are so bad at stylistic and creative work. They're singularly focused on photorealism.
That's the opinionated vs user choice dynamic. When the opinions are good, they have a leg up
I haven't really kept up with what Midjourney has been doing the past year or two. While I liked the stylistic aspects of Midjourney, being able to use image examples to maintain stylistic consistency and character consistency is SO useful for creating any meaningful output. Have they done anything in that respect?
That is, it's nice to make a pretty stand-alone image, but without tools to maintain consistency and place them in context you can't make a project that is more than just one image, or one video, or a scattered and disconnected sequence of pieces.
This is a cultural flaw that predates image generation. Even PG has made statements on HN in the past equating “rendering skill” with the quality of art works. It’s a stand-in for the much more difficult task of understanding the work and value of culture making within the context of the society producing it.
Suppose the deck for Midjourney hit Paul Graham's desk, and the CEO was just an average Y Combinator CEO - so no previous success story. He would have never invested in Midjourney at seed stage (meaning before launch / before there were users) even if he were given the opportunity.
Better to read that particular story in the context of, "It would be very difficult to make a seed fund that is an index of all avant garde culture making because [whatever]."
That's because it's a two-way street, a multi-modal model that is highly proficient at real-life image generation is also highly proficient at interpreting real-life image input, which is something sorely needed for robotics.
In my experience, MidJourney creates the best overall-looking images, but it's the worst at sticking to your prompt.
This is surprising. Is there a gallery of images that illustrates this?
Midjourney has a gallery on their website: https://www.midjourney.com/explore
their explore page is a firehose of examples created by users and you can see the prompt used so you can compare the results in other services https://www.midjourney.com/explore?tab=video_top
Impressive image quality improvements. Meanwhile, AI agents just crossed a milestone: Simular's Agent S hit 72.6% on OSWorld (human-level is 72.36%).
We're seeing AI get better at both creative tasks (images) and operational tasks (clicking through websites).
For anyone building AI agents: the security model is still the hard part. Prompt injection remains unsolved even with dedicated security LLMs.
Having used it compared to Nano Banana:
-The latency is still too high, lower than 10 seconds for nano banana and around 25 seconds for GPT image 1.5
-The quality is higher but not a jump like previous google models to Nano Banana Pro. Nano banana pro is still at least equivalently good or better in my opinion.
So the announcement said the API works with the new model, so I updated my Golang SDK grail (https://github.com/montanaflynn/grail) to use but it returns a 500 server error when you try to use it, and if you change to a completely unknown model it's not listed in the available models:
Can't wait to generate fake memories with my 20 years ago dead grandma
One thing I’ve noticed when comparing these models is that “quality” and “realism” don’t always move together.
Some models are very strong at sharp details and localized edits, but they can break global lighting consistency — shadows, reflections, or overall scene illumination drift in subtle ways. GPT-Image seems to trade a bit of micro-detail for better global coherence, especially in lighting, which makes composites feel more believable even if they’re not pixel-perfect.
It’s hard to capture this in benchmarks, but for real-world editing workflows it ends up mattering more than I initially expected.
I know this is a bit out of scope for these image editing models but I always try this experiment [1] of drawing a "random" triangle and then doing some geometric construction and they mess up in very funny ways. These models can't "see" very well. I think [2] is still very relevant.
[1]: https://chatgpt.com/share/6941c96c-c160-8005-bea6-c809e58591...
[2]: https://vlmsareblind.github.io/
It's still not available in the API despite them announcing the availability.
They even linked to their Image Playground where it's also not available..
I updated my local playground to support it and I'm just handling the 404 on the model gracefully
https://github.com/alasano/gpt-image-1-playground
Great to have continued competition in the different model types.
What angle is there for second tier models? Could the future for OpenAI be providing a cheaper option when you don't need the best? It seems like that segment would also be dominated by the leading models.
I would imagine the future shakes out as: first class hosted models, hosted uncensored models, local models.
Post: https://openai.com/index/new-chatgpt-images-is-here/ (https://news.ycombinator.com/item?id=46291827)
This is terrifying. Truth is dead.
AI-generated images would remove all the trust and admire for human talent in art, similar to how text-generation would remove trust and admire for human talent in writing. Same case for coding.
So, let's simulate that future. Since no one trusts your talent in coding, art or writing, you wouldn't care to do any of these. But the economy is built on the products and services which get their value based how much of human talent and effort is required to produce them.
So, the value of these services and products goes down as demand and trust goes down. No one knows or cares who is a good programmer in the team, who is great thinker and writer and who is a modern Picasso.
So, the motivation disappears for humans. There are no achievements to target, there is no way to impress others with your talent. This should lead to uniform workforce without much difference in talents. Pretty much a robot army.
Big jump from gpt-image, but I would love to see the same kind of step change we have seen in recent language model releases.
Anyone else have issues verifying with openai? I always get a "congrats you're done" screen with a green checkmark from Persona, nothing to click, and my account stays unverified. (Edit, mystically, it's fixed..!)
Is there a watermarking, or some other way for normal people to tell if its fake?
Hope to see more "red alert" status from the ai wars putting companies into al hands on deck. This is only helping cost of tokens and efficacy. As always competition only helps the end users.
> Still some scientific inaccuracies, but ~70% correct
That's still dangerously bad for the use-case they're proposing. We don't need better looking but completely wrong infographics.
GPT images is the new MS Word "Arial + clip art"
not super impressed. feels like 70% as good as nano banana pro.
Good to see that hands are still not solved...
“ Photo of a blond male in his 50s with half gray hair “
Still fails. Every photo of a man with half gray hair will have the other half black.
Even from their own curated examples, this looks quite a bit worse than nano banan in terms of preserving consistency on image edits.
I get the tech implementation is amazing, I wonder if it takes away from genuineness of events, like the Astronaut photo, I get it's just a joke/funny too but it's like a photo of you in a supercar vs. actually buying one. Or fake AI companions vs. real people. Beauty filters/skinny filters vs. actually being healthy.
If it can't generate non-sexual content of a woman in a bikini, I am not interested.
Sam Altman Christmas decoration isn't real, he can't hurt me...
Nano Banana Pro is so good that any other attempt feels 1-2 generations behind.
I have a "go to" prompt for images:
> In the style of a 1970s book sci-fi novel cover: A spacer walks towards the frame. In the background his spaceship crashed on an icy remote planet. The sky behind is dark and full of stars.
Nano banana pro via gemini did really well, although still way too detailed, and it then made a mess of different decades when I asked it to follow up: https://gemini.google.com/share/1902c11fd755
It's therefore really disappointing that GPT-image 1.5 did this:
https://chatgpt.com/share/6941ed28-ed80-8000-b817-b174daa922...
Completely generic, not at all like a book cover, it completely ignored that part of the prompt while it focused on the other elements.
Did it get the other details right? Sure, maybe even better, but the important part it just ignored completely.
And it's doing even worse when I try to get it to correct the mistake. It's just repeating the same thing with more "weathering".
I still can’t get it to draw a “13 hour clock” correctly
we seriously can't be burning GW of energy just to have sama in a GPT-Shirt Ad generated by A.I
impressive stuff though - as you can give it a base image + prompt.
Unlike Nano Banana it allows generating photos of children. Always fun to ask AI to imagine children of a couple but it's also kinda concerning that there might be terrible use cases.
God OpenAI are so far behind. Their own example shows that trying to only change specific parts of the image doesn't work without affecting the background.
Alt text is one of the nicest uses for ai and still Open AI didn't bother using it for something so basic. The dogfooding is not strong with their marketing team.
the combination of two images the last gpt-image (nano banana) generated seem to be inappropriate
Every person in every picture in their examples is white except for 1 Asian dude. Like a 46:1 ratio for the page (I counted). Not one Middle Eastern or Black or Jewish or Indian or South American person.
Not even one. And no one on the team said anything?
Come on Sam, do better.
>Now remove the two men, just keep the dog, and put them in an OpenAI livestream that looks like the attached image.
Where is the image given along with the prompt? If I didn't miss it: Would have been nice to show the attached image.
Lots of em-dashes in this copy.
nah Nano Banana Pro is much better
In the image they showed for the new one, the mechanic was checking a dipstick...that was still in the vehicle.
I really hope everyone is starting to get disillusioned with OpenAI. They're just charging you more and more for what? Shitty images that are easy to sniff out?
In that case, I have a startup for you to invest in. Its a bridge-selling app.
What is the endgame? Why is OpenAI throwing that much money on image/video generation? Is there a profitable market for AI-generated image slop? Do people choose ChatGPT instead of Gemini/Grok/Claude because of the image generation capabilities? To me, it looks like a huge fiery money pit.
Really can't stand the image slop suffocating the internet.
double popped collar ftw
My copium is that analog photography makes a come back as a way to recover some level of trust and authenticity.
now you can create good memories with your family without meeting them
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Another bunch of "startups" have been eliminated.
Why is the emphasis of these promos always to create fake social media pictures of people and things that didnt happen?
Aren't we plagued enough by all the fake bullshit out there.
Ffs!
/rant
Sorry gotta be honest and blunt every one of those times...
Still can't pass my image test
Two women walking in single file
Although it tried very hard and had them staggered slightly